As Inge buries her husband Olaf on their Minnesota farm in 1968, we relive her life story as she tells her grown grandson about how she arrived from Germany in 1920 as Olaf's postal bride and of the obstacles they overcame in order to marry...

Louise Harrington, a divorced, thirty-something admissions officer at Columbia University's School of Fine Arts is intelligent, pretty, and successful, yet unfulfilled. That is, until a graduate school application crosses her desk and she arranges to interview the young painter. When F. Scott Feinstadt appears, he bears an uncanny resemblance to Louise's high school boyfriend and one true love, an artist who died in a car accident twenty years earlier. Within hours of the interview, Louise and Scott have embarked on a passionately uninhibited older woman/younger man affair. But is Scott just a reminder of Louise's lost love? And is Scott just trying to wheedle his way into the Ivy League? Adding to the romantic complications is competition from Louise's best friend from high school, Missy, who shows up to claim the affections of the boy; Louise's co-dependent ex-husband Peter; her cynical mother and fresh-out-of-rehab brother.

In New York City, Gulley, who's in middle school, lives with his father and step-mother; his paternal grandmother dominates the family's life. In secret, he's recently been in touch with his mother, Kailey, a pool hustler, who wants to win big and take Gulley to Canada. With the help of Teddy Quinette, who runs Quinn's Pool Hall, Kailey may get her shot at big money. Can she win the match, keep her son's confidence, and, using fake documents she gets from Markus, a friend of hers, make it to Canada to start a new life?

For over 20 years, Jimmy Testagross has lived his childhood dream: being a roadie for his childhood heroes, Blue Oyster Cult. But the band's Arena-Rock glory days are a distant memory. County fairs and club gigs pay the bills. And Jimmy has become a casualty of these leaner times. With no place to go, no job prospects, and no real skills outside of being a roadie, Jimmy needs to regroup. So he returns to his childhood home in Queens, Ny. There, he revisits old relationships: his ailing, widower mom, a high school crush, a former nemesis and, most importantly, his relationship with himself. Jimmy, the middle-aged man-child, has never grown up. He still carries the resentments and frustrations of his youth, and has allowed them to fester and define who and what he is. Confronted with his mother's illness, Jimmy has a choice: let go of the past and take responsibility for both himself and the woman who raised and now needs him. Or continue to live a life of lies and frustration.

A young couple, Havana & Peter, rob a county fair of its daily receipts and escape to Canada to hide out in the Hutterite community where Peter was raised. While there, they get married to satisfy the conservative elders in the community. Peter hides their loot in a secret hiding place, but then soon dies in a car wreck. His much younger brother Zeke is called upon to replace his brother and marry Havana. Zeke already hates Havana because he believes she is what changed his brother. She begins looking through everything that was Peter's, and Zeke rightly deduces that Peter hid something from her. He finds the money, along with a newspaper article that mentions Peter as the prime suspect in the robbery. Zeke initially uses the cash to trick his bride into doing housework. Later he shows it to the elders, who deem that it should be returned to its rightful owners. Zeke and Havana...

GRIFFIN AND PHOENIX is a poignantly funny love story about two people who face a seemingly insurmountable obstacle that may stand between them and a last chance at love.

Cooper is a Chicago journalist with post-concussion memory loss. His mother wants help moving Uncle Rollie, who's facing his own fading memory, into a care home. Cooper's boss tells him to take a few days, so Cooper drives home. Rollie doesn't want to move, and his salvation may be a rare baseball card of a 1908 Chicago Cub. Maybe they can sell it in Chicago for enough for Rollie to live at home with help. Cooper teams up with Charlotte, his recently-divorced high-school flame, and her son; they take Rollie to a memorabilia market. Rollie insists on keeping the card in his pocket, while more than one rascal wants to divest the old man of his treasure. Can the underdogs carry the day?

Struggling private investigator Louis Simo treats his work more as a means to make a living than a want to do right by what few clients he has. Through connections with the investigation firm for which he used to work, Simo is hired by Helen Bessolo to investigate the death of her son, actor . Reeves was best known for his title role in , a role which he always despised, in part since it typecast him as a "cartoon", despite it bringing him a certain fame. His June 16, 1959 death by a single gunshot wound while in his bedroom in his Los Angeles home was ruled a suicide by the police, the death which occurred when the house was filled with people. Reeves' story is told in part in flashback as Simo, who is trying to make a name for himself with this case, talks to or tries to talk to some of the players involved, most specifically the wife of MGM General Manager ...